publishing erotica

Kane Porter was as boring as his name implied. Of all the financial coordinators under me, he was the one least likely to be interesting on an intoxicated evening. Kane was quiet, well-mannered and nobody was friends with him. I was his boss and I got along well with everyone until I came across a problem. The account I’d been skimming from had a good hunk of change missing now. Not good. How could I have it investigated without flagging myself for the ten thousand dollars I’d ‘borrowed’? There was only one thing I could do. Porter was a nice guy. He’d help me out. No one could be safer to ask…

Raised by a monster from Transamagei since being abandoned at birth, Zea is hunted down and forced to become a part of the Soul Stealers that killed his family and stole his name. Everything he has known no longer exists. Moon is nothing but a demon with a false name and a murderous desire to slaughter and devour anyone who stands in his way of becoming a true Soul Stealer. Having to work with the young Soul who killed his father, Moon must carry out his own Mission to earn his survival; capture the illusive White Wolf and her family. But as the sinister truth behind the capture is discovered, Moon must decide if his life and those of his friends are worth more than what is morally right.

The Chinese and The British were engaged in a deadly scramble for Zambia’s abundant mineral resources. Their fight attracted the attention of the Insaka- the secret organization that controlled all the Zambian government institutions from the President to a common worker on the streets. Amidst the corruption, and almost a failed government, the Insaka involuntarily enlisted two young, beautiful and ambitious women on opposite side of the law. Ima and Subi the sworn and bitter rivals were the only two people the Sextet placed to liberate the rapid extinction of the country. Will the two work together to liberate Zambia from the new colonialists from Asia?

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.