narumiya mei

prologue She turned towards him. With a seductive look on her face. She came close to him. Wrapped her arms around him. He hugged her with all his myth. He felt like he got his world in her. " you know what, once in these streets we crossed each other's path, and now in these vary streets it's gonna end," she said with a blank look. " I love you, Ishani! " Mujhse Pyaar tum Karte Ho par tumhari Zindagi ki zaroorat main banugi, Tumhe pata bhi nhi chalega kab tumhare dil, jaan mei sirf Mera naam hoga' she thought in her mind (you love me, and I'll become the need of your life, you would not even know when I'll become your heart, life... You'll only have my name in your heart) " you love me? " she asked. He nodded with a smile " then jump from here or I will," she said with seriousness in her words. Second scene " you thought I love you," she said with a laugh. " with an idiot like you... Babe, sorry but better luck next time " she said waving her hand in the air. Suddenly she collapsed with a hard chest. He looked into her eyes .he eyes show hurt and betrayal. " if you didn't want me... If you never loved... Then why? " he said with hurt in his words. His arms wrapped around her in a painful manner. " if was all just. A daring babe... Just a dare " she said in a chocked voice. She had a hard time dealing with her feelings. He left her and went away. Suddenly she lost her balance and collapsed on the floor. " I love you Vansh," she said to herself and out loud.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.

Kung gusto may paraan, kung ayaw naman, ay siguradong may dahilan. Matapos mahiwalay naglakas-loobsa kaniyang kababata sa loob ng apat na taon, si Shevanee na hanapin ito sa Manila. Ngunit laking gulat niya na parang ibang Ralph Timothy Villanueva ata ang nahahanap niya sapagkat hindi na siya nakikilala nito. Ginawa niya ang lahat upang makuha ang pansin nito at nagbabakasakaling maalala siya ni Ralph, ngunit may isang lalaki ang humarang sa mga plano niya. Si Gaven Lance Galvez, ang sempatiko na pinsan ni Ralph na namamahala ng isang kompanya. Wala itong ibang ginagawa kundi bantayan ang bawat kilos at hakbang niya dahilan upang mawalan siya ng pag-asa na makilala ulit ng kaniyang kababata. Sa pag-aakala ni Shevanee na makukuha niya muli ang puso ng kaniyang kababata, ay ibang puso pala ang nabingwit niya. Ngunit isa lamang ang dapat niyang piliin. Sa pagkakataong ito, ano kaya ang mas matimbang para kay Shevanee? Ang minahal niyang kababata o ang lalaking si Gaven na mahal siya?