wonder plants on the sidelines inhalethe nervous air emitted by neon. new isneon when all the way to the gutter timeis but a blur. and the blur, the slurringprediction of weather vanes slithers throughand across this and that ‘thing’ and ‘non-thing’surface of disaster splitting in half the body.rhizomic moon-body. human or not,the body unthinks, fades in the grass untilit becomes plastic. the beginning, saysthe complacent poet-critic whose lovefor cats has been admirable, like the body,the ‘about us’-telex truth, is impersonal.the moon is a room for. its bright treatmentof the rain wassails with. its people, alldressed in, singing to. since rain seemsplastic & ear-biting to the point of viewof dear trees, the moon predictably likensthe body to the natural habitat of signs,of neon drowning still the. wonder plants.perfumed by poetry or—philosophy.the Ecosystem, the still neon-twinklingthought of. the world: you & me & this
that pale patience of yours, oh, I could drive myselfcrazy from this observation of condominiums to Maine,old and bony Maine. What’s that song you’re guessing?I guess it’s empty passion no groovier than last night’scigs you’ve beautifully lighted for one more china sparksat the counter of 7-Eleven. You know what happensto fat when fingers stay out of love, out of their silveredstillness? Traffic lights, they turn to the eyes of the lawin tripartite colours. It’s safe and subtle, isn’t it?How clever the fat moves in princely prose, orin scripted smoke splitting between your Kerouaclungs. I suppose you’re a movie star, a gorgeoushard rain, a motorcycle of flowering acquaintances.The kitchen sink never dirtied, you never cooked,peeled, dreamt. But you showed me your world.Ashtrayed the day away. That dear fat on your lip,I loved it and I wrestled with the night pretendingit’s already 2:30 AM; that no creature of the streetswould dare say
the noise jamboree in toda terminals4, our regular Sundayafternoon scared the neighbourhood children for seeing blooddrip from his head, all the force and feeling swam to the floor,parents cried, and street by arcane street the whole townburied the fear in its throat, freezing the clock to stop the hurtof tropical error; that loss was the injured sound of an enginefailing to drive families to church, to a nearby shop after mass.I’ve felt my skin fumble when I heard a song from the speakerof a passing car, a very familiar song I could rememberin the instance of a straight punch combination made possibleby retirement, as winning, according to critics, shouldn’t becompressed on a tiny screen. Whatever that means—the boxer breaks the mirror of the modern man, comes downto realize why the future is unhomed by a heterotopia of hurt.
O your smile carousel of greenGrass tops reach the skyO your smile breezes cleanOf sensanity of I know whyIt’s amazing how lifeGrinds with the teeth of timeIt’s amazing how headRolls and no one knowsHow to turf and fallFlaming words extra timeIn love with youStill and again shootsMy flock misses you
Slowly there’s a scene that celebrates itself, holds high office of shame, shoplifts gracefrom grocery stores and tomorrow’s tin can mess.It’s a scene standing in pride, unfazed by the murmuringstrong-styled neighbourhoodbelievedto be energized out of concentrated flowerpots.The suburb sprawl is a basement of employmenthopes, like Monday walks looking for dream popand bizarre poetry recitalsalong the pavement.Looking for friends who musically trepanned themselveswith shadows of 1994? Insecure shoes oftenobscuring the walls, the sonata of chemicals likensheads to garage tires you’ve spared for coolhousehold principles. I bet you look down,look down so hard to catch the open lightunfurling, like a beef falafel surprisingschoolchildren from Bandra, MumbaiI earn a living by re-counting poetic linesand make them smell of cardamom.Carton-shroud livelihood makes a statement.To live comfortably
Based on what I saw today in the reflectionof tall trees on the river, there’s a Barthesian notionof swirling things trying to drink the water,their spreading tension the surface of claw-printsand misty roars in silver. I tried to identify themin their uniform art of consciousness—namely:floating markets, shipbuilders, dreams and deltas,river ports of morrow, fish-spark confessions,a falling tear. All of these worth surrounding theonly mirror held by the invisible hand of water.This mirror in the heart of the river reflecteda figure of the literary life with strange curvedhorns on its head. It was not at first easy to look at.I saw it and admittedly got confused with its mis-understood image. But every time it moved thingsstopped swirling. A moment of silence shone.And slowly there was a sight painted with pleasure,a riverine hospitality from Okkervil to Thailand.
in response to the ongoing anti-extradition bill protestsa day like this, or the train between us won’t stop - this life is too long, dear tourist - & you know this morning I have to pay the rent too – as you insist that demonstrations at Victoria Park crowan ashfall of a feathered controversy - scarred by heavy clouds – as poetry as a lesson in leaving seems like years – & everyday umbrella seems like months of our days, days of our monthsalways like thissure it’s like thisyou know there might be another Worldwide Plaza - buzzing non compos mentis from your postcolonial Central - & that i’ll never know what new noise gently crumbles our married Clock Tower lungs – our karmic hearts in Kowloononce upon a ferry seaalways like thiswe used to seechaos intensify in the streets – waltz of smoke rioting upon youth – alla tumult of fire eating fire – time’s commissioned by risk as rains of pleasin fals
Under a tree shade, I satobserving the lines leafedlimning the page, their greenfix crashing into the shoe-dappled patchof sun and earth. Until a leaf—suddenly—falls to the votive callof six o’ clock, no morefootballing and frisbeeingin sight; it’s unaccidentally“Le Manteau de Pascal,” butaccidentally Jorie Graham.