You see this humdrum townBacolor or Apalit or Macabebe9seeking colors & flood tide arias on the impulseof a rainy Saturday afternoonbeforethe machinery of undergarment civility because a harness will only be made for onefar away from the closetripraps & minuetsageing windows sigh in the airI have no plans & precedents—when in this charming confirmationyour handsome decision loungeson the very idea I suppose was your ideaof the blue histories of weather reportin a coma,wishfully contactingRogelio de la Rosa (makananu tana?),his name typed up slowly, fur is flying—lightness!—but you got everything nowround your mythic little fingerslife at the alterations shopoh what a terrible mess I’ve madeof this ending,ending of a poem.&
1A tourist destination in the province of Pampanga where air bases were built during the Americla colonial rule in the Philippines 2It is a volcano located on the island of Flores in Indonesia. 3Wild ducks in the native lexis of the people in Candaba, Pampanga in the Philippines. 4 A common place or town terminal where Philippine tricycles (or trikes) are used as service vehicles 5 A creature in Philippine mythology said to come out at night to suck the blood of victims from their shadows 6 A trite Filipino expression meaning “Are you sick of things?” 7 A Taglish or Tagalog English expression for “Let’s go!” 8An always crowded station on the Metro Rail Transit (MRT) in Manila, Philippines 9 All three towns of the province of Pampanga in Central Luzon in the Philippines
Tunnel #1 (vegetable mineral emergency)At five a.m. vegetables are goingto be delivered but no market destination yet.My stomach sags with old food in this long daytrip from yesterday’s nightmare to this recoveryyour mother signs with anonymity.These wrinkles on the face are nothingbut fattening asparagus wired to my brain’sstreet map of indeterminacy. Visible horizonglowing my hair, to be grey and still; I hopeI care for another season. This tunnel caresso much about mobility and personal crises.It does. It’s the reason why we deliverdried oreganos or life and death safely frompoint to point, why in express we smell home.I stay alive though, sensing velocityas an ambulance would in a dream—brisk, accidental. Remember the first timeyour little bones cried for milk?The turquoise light I detest are eyes,the remaining light so imperial to touch basethe remaining skin of distance, my a
How do you savor the nightin its humid cloak of stars?Where are the clocks that tell uswe’ll never be archaic?Inside your guerilla flameyou sleep and somehowyou are freewith all but the dreamof cockatoos and Lake Sebu.The moment I picturein my mind that dogs can flybecause you close your eyes,your lips against a womanly mirage,you are your own moment.I am amazed by your peaceand sleep and your breathingsquarely in the quiet air.
It’s all right.That open window to your precedents,once it tumbles downafter shaking the earth’s disease,I’ll parry for youthe brisk blow of emotionsin the lateness of the world.I hurry home as thoughyou are there blinking with your fist.The night sabotaged by your fears,your fantasy castlebuilt upon my brain,your kindnessthe self-portrait of silk.Even what was beyondKinsale was recastin your dream’s silhouette;you gave the towncolourful wings winnowingover hills and harbours,its vibrant history a mouthand a howl,its ancient spirit your new meadso you can float acrossthe tops of pubs contemplatingthe signs of true love.
(noun: Loss)I give up my chance which is the crucial lasttwo minutes call in a basketball finals series.I give up my last mango shake which specifiesthe yellow fruit from the green drizzlestopping the late freeze by a too early ripening.I give up my time which is the best timeto quit and not the best time to quit trying.I give up my space which is you knowI do not really know nor recognize for itsterritoriality, its formation of forlorn insects.I give up my starshine patience (naïve melody),as it’s like teaching the kids how to shootfor the stars which are like shadows on the walland not anymore those daddy tricks which remindthem they’re kids, and that to myself I’m a Komodo.I give up my right shoe which usually sends mephotographs, by the way old photographsof my head and feet together, from my left shoesailing far across the crater lakes of Kelimutu2.I give up my vision which is ultravioletat a research conference while poetry asmo
If dad could turn into a feather furor,under the meltingsun stares cauterized by the yester-lettersof history, my dad would still be the longuh-oh soundof all untrodden wetlandswarbling for a mother roost. And nowthe dumaras3 conquer this land, what the heck,what the quack! What aches the space?I wish dad were here tilling the nounsof greater yolked fellows:uninterpreted swamps and Mt. Arayat.Birdwatchers bird-watchingunder the rambutan tree—and then the beast of history,my dad after some crumbs of memory.
wonder plants on the sidelines inhalethe nervous air emitted by neon. new isneon when all the way to the gutter timeis but a blur. and the blur, the slurringprediction of weather vanes slithers throughand across this and that ‘thing’ and ‘non-thing’surface of disaster splitting in half the body.rhizomic moon-body. human or not,the body unthinks, fades in the grass untilit becomes plastic. the beginning, saysthe complacent poet-critic whose lovefor cats has been admirable, like the body,the ‘about us’-telex truth, is impersonal.the moon is a room for. its bright treatmentof the rain wassails with. its people, alldressed in, singing to. since rain seemsplastic & ear-biting to the point of viewof dear trees, the moon predictably likensthe body to the natural habitat of signs,of neon drowning still the. wonder plants.perfumed by poetry or—philosophy.the Ecosystem, the still neon-twinklingthought of. the world: you & me & this