Realistic Fiction

As the son in law of a rich family, everyone thinks that I am useless crap, However, I will prove myself to be a King of Dragon!

Noong pandemic, para kumita ng mas malaking pera para magbayad ng bills, bumalik ako sa aking dating part-time na trabaho bilang bulag na masahista. Subalit, hindi ko inasahan na sa top floor ng office building, merong tagong special service na inaalok. Ang unang customer ko ng pumunta ako sa top floor para magtrabaho ay ang magandang CEO sa aking full-time na trabaho, si Rosaline Dunne. Humiling siya ng espesyal na masahe mula sa akin…

Derek has led a hard life. He was always looked down upon, bullied, made to look weak. To make matters worse, he was kicked out of the family house after being falsely accused of doing something wrong. Just when he all thought this was the end, an unexpected twist turned his life around. ------------------ Sequel, Who's the loser 2: The Don of Townsville, continues this unique novel. As the heir to his empire, Derek now has an unlikely right-hand man, his cousin Charles Smith, working in the shadows as the Don of Townsville. A new threat looms to take down Derek, Charles and their families and friends. Can they work together to take down this threat?

After silently contributing to his marriage for three years, Frederick York's wife demands a divorce, citing that she can't stand him. Then, when his true identity is revealed, his ex-wife and her family are filled with regret.

If I were a poet I would write sonnets Dedicating to your beauty with utmost honest! If I were a priest! I would preach your love with utmost sweet!But Alas!I'm none of the aboveIn your world,I'm just a wild beast!

Lorie est une jeune étudiante qui s'occupe seule des ses frères depuis la mort tragique de leurs parents. Elle se bat corps et âme pour subvenir à leurs besoins tant éducatif que nutritionnel. Elle doit jongler entre les études et son boulot. un travail qui plus tard lui causera du tort et se verra lapider par son entourage. Lorie va sombrer dans une grosse dépression.

I was the heir to a wealthy family, yet my biological parents were drowning in debt and living on the streets. Out of pity for them, I decided to give up my status as a young heir and care for my family. To help them live better lives, I worked three jobs, working myself to the bone. But one day, I discovered the truth. Their so-called "bankruptcy" was a lie. They had been living a life of luxury all along. To make matters worse, my fiancée had already gotten involved with my younger brother. I was heartbroken and devastated. I decided to return to my foster father and seek his help. To get revenge for me, he ruined my biological parents' business, bringing them down for good.

I was the broke scholarship kid, stuck sharing a room with Sherry, the spoiled heiress. From day one, she was all fake smiles and "let's be besties." She'd take me out for fancy meals. She even introduced me to Kenneth—her rich childhood buddy. It was fine—until Kenneth and I started dating. That's when the claws came out. One day, she "accidentally" dumped hot soup all over herself and claimed I'd done it on purpose. Then she demanded I pay her back. I gave her every cent I had, but it wasn't enough. Next, she accused me of stealing her wallet. The school bought it. I got written up, everyone turned on me, and Kenneth? He dumped me with, "You're just an ugly duckling trying to be a swan." I couldn't fight back. Humiliated, alone, and dragged through online hate, I dropped out. Then I let the river take me. And then—I woke up. Back to the moment Sherry introduced me to Kenneth.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.

My parents used the compensation money from my sister's car accident to buy a four-room house, but they only let me stay in the bathroom. My twin brothers, who were not even a year old, each had their own room. When the twins grew up, they got into a car accident. One of them needed a corneal transplant, the other needed a heart. My parents begged me to donate and save them. When I tried to escape, they betrayed me. When I opened my eyes again, I found myself back to the time just after my sister's death. I sought justice for my sister and myself, and made my parents pay for what they had done.