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CHAPTER Thirty-Five

Author: Crystal Lake Publishing
last update Last Updated: 2024-10-29 19:42:56
CHAPTER THIRTY-FIVE

Jimmy passed through into a small, shabby cinema. To his immediate right were about six rows of raked seats with two further rows of seats in front of them. The seats were worn and threadbare and the screen at the front was grubby and smeared with dirt.

The floor was even stickier and the smell of sweat and cigarette smoke was stronger. There were about ten men in the cinema, mostly sitting by themselves, but a few sat next to each other. One of the men had his hands down another’s trousers.

On the screen, a large black woman was tied to a stained mattress. Two white men, in loin cloths and Ku Klux Klan hoods, stood over her. The woman was screaming at the men, calling them racist bastards. One of the men left and returned with an industrial sander that he applied to her nipple.

The woman bellowed in pain and anguish. The hand held camera moved closer, blood and viscera spattered the lens.

So this was the type of establishment Isimud was running. A private club
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  • The Final Cut   CHAPTER Thirty-Six

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  • The Final Cut   CHAPTER Thirty-Five

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  • The Final Cut   CHAPTER Thirty-Four

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  • The Final Cut   CHAPTER Thirty-Three

    CHAPTER THIRTY-THREE“Can I put it on now? Jimmy said. The Tailor nodded. Jimmy removed his clothes and the Tailor placed the robe around his shoulders.It didn’t feel like anything he’d ever worn before. The robe wasn’t heavy as such, it just had the grave weight of a terrible tale about tragic events. It didn’t feel like fabric against his skin, it had the substance of stories, as though there was now a barrier of fiction standing between him and the world and Jimmy could rewrite himself endlessly, changing the way he was perceived and how he interacted with everything around him.The elderly man wheeled out a full length mirror and placed it in front of Jimmy. The robe in the reflection was even more difficult to look at and even busier to the eye.“Does it really look like that on me?” said Jimmy. “It seems larger and formless, like it’s growing all the time.”“That’s because stories are only mirrored by other stories,” said the Tailor. “What you’re seeing is every other story

  • The Final Cut   CHAPTER Thirty-Two

    CHAPTER THIRTY-TWOJimmy took hold of the thread and pulled it off his eyelids.“The footage . . . it’s the story. It’s thousands of years old.”“Yes it is. Like all good fiction it has changed and adapted itself to the latest medium. The story has slowly evolved so it can most effectively prey on the select few who encounter it. The type of twisted individuals who seek out such material.”“You haven’t explained about the ending though. Why would the story keep going just because it was open ended? I like open endings.”“That might be your biggest problem as a film maker. A story without an ending lacks the proper shape or form, it insults its audience and plagues their mind because it lacks resolution.”“Real life doesn’t have any resolution or neat endings.”“Fiction isn’t real life,” said the Tailor, as though he were explaining something to a child. “When you tell a story you are setting a contract with your audience. You don’t say to them ‘Let me tell you something that hap

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