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Absolute Unit 18.
18.Bill waves agray hand, his fingers still jittering madly. “Come here, Trent.”“Are you okay?” Trent says, stepping forward—and then Carrie clutches his arm, her nails digging into his flesh until the pain begins to approach the dulling ache of his bullet wound. “What’s ‘total control’ mean?”He’s got us inside him, we tell Trent. We’ve taken over.Taken over? Trent’s mind rattles like a rat in a cage. You mean that’s not my uncle?No, yes ... we mean ...Trent begins to freak out: Do you want to do THAT to me?Have we said we wanted to do that?Bill lowers his hand. He’s trying to smile, but his lips writhe and jerk. A doctor might diagnose that as a nerve issue, which wouldn’t be too far off. The bit of us that stayed in Bill and took total control, maybe it’s still trying to figure out how to drive that lump of flesh. After just a few hours in Trent’s well-tuned body, we’d started to forget the A-1 horrorshow of Bill’s sagging muscles and dea
Absolute Unit 19.
19.In the elevator, there’s no way to avoid Bill’s stink. He looms over Trent, reminding us of our breakfast meeting a million years ago. Bill barely held it together then, thanks to the magical forces of nicotine, caffeine and pills. Now he seems immense, powerful despite his gray and puckered flesh, seeping wound, messy hospital gown. As the elevator rises, the enormity of the situation appears to fully sink into Trent. Any residual effect of the drugs has dissipated, and our tendrils sense his growing panic, sizzling and sour. Only strategic squirts of adrenaline and dopamine work to keep him in some semblance of working order. “I just don’t get what’s happening here,” he says.How many times do I need to explain it, dumbass?“Patience,” Bill says, glancing at the floor indicator. The elevator stops on five. The doors hiss open, revealing a nurses’ station pocked with gunshots, its countertops smoldering with charred folders. Beyond, the floor-to-ceiling windows of the patient
Absolute Unit 20.
20.We’re back onthe gray beach, the water lapping at our tendrils. Trent stands beside us in the surf, naked except for his leopard-print jacket, shivering in the cold wind slicing down the coast. “Great.” Trent says. “Not this again.”Footsteps crunch sand. Bill strides for us, also naked as the day he was born. A thick mass of tendrils dangles from between his legs, dragging on the sand, yellowish and segmented; when it touches a wetter patch of sand, it crackles and sparks with electricity. Smaller coils wave from his ears and the corner of his left eye-socket. His eyes are black with dried blood, making him look more like a bloated carcass than ever.“No more negotiations. No more of this useless equivocating. Here’s the deal,” Bill says. “We’re plugged into your brainstem and your cortex.”“Just leave us alone.” Trent scoops up a handful of wet gray sand and throws it at his uncle. “Please. I just want to be left alone.”Bill ignores him. He walks up to us, places a
Absolute Unit 21.
21.We can senseTrent deep in the basement of his own mind. He’s built a room down there, with a door impossible for us to unlock, but we can peer through the keyhole. The walls are covered with posters of David Bowie and Marilyn Monroe (always a fan of vintage, dear Trent), and a torn leather couch dominates the floor, facing a widescreen television that plays clips from classic films, music videos, memories of Carrie kissing him all over in that wintery bed. By sifting through the abandoned files in Trent’s hippocampus, we determine this is a replica of his basement at home, his safe space from life’s chaos. For what it’s worth, we whisper through the keyhole, we’re sorry about this.Screw off, Trent says, his eyes never leaving the television.We promise you can come out. You won’t be deleted.Yeah, right. I told you to screw off.We leave him down there. If he’s unwilling to cooperate, his fortress can serve as a prison. Let him watch through the keyhole as we take his
Absolute Unit 1.
1.Every day, all day, Bill smells shit or burning hair. Bill asks everybody if they smell those things, and when they say no (“What smell, dude?”), Bill thinks they’re lying to him. (Bill, your friendly neighborhood health inspector, thinks everybody lies to him.) Only when Bill starts smelling the distinct odor of his wife’s crotch does he begin to suspect something’s well and truly wrong with the ol’ noggin—she’s been dead for years. Not that Bill will see a doctor about his symptoms, no sir. Instead he’ll smoke and snort and screw the fear away, because a buzz always beats reality, and the idea of a tumor or an artery primed to blow is as real as it gets. On Monday, Bill takes two hundred dollars in hankie-soft bills from a corner market, in exchange for overlooking a frisky roach, and uses it to purchase a few small bags of the finest chemical concoction some creep could cook up in a kitchen sink, which he smokes in the front seat of his Official Government Vehicle before drivi
Absolute Unit 2.
2.We were bornon a Greek cargo ship bound for the East Coast. Like many an immigrant before us, our childhood was messy and short. The sailors pushed the lever that dumped the bilge tanks, and we found ourselves floating off the scenic coast of New Jersey, where the current soon directed us to an inlet, and from there to a pipe, and soon enough we sloshed through the speedy water-park of the local waste-treatment plant, where we slipped through a corroded filter on our way to Bill’s kitchen tap, and from there to Bill’s glass, and from there to Bill’s stomach, which offered everything an enthusiastic young parasite could ever desire: water, proteins, microbes on which to snack, and drugs—beautiful, weird drugs. Fortunately for us, Bill can’t even endure the twenty-minute drive from strip club to office without snorting a small pile of crushed-up pills. Got to balance out those five pints of cheap beer somehow.Forehead red and sweaty, heart hammering, pupils squeezed to
Absolute Unit 3.
3.Afew days later—and three hours late, but who’s counting—Bill’s crumpled soda-can of a jalopy (his personal car, mind you, not that government-funded monster) murmurs its way into the lone empty parking space of a coffee shop near his house, the engine cutting out with a loud fart, Bill emerging in full Sunday-morning glory. From his leather jacket, dry and cracked as the surface of Mars, he extracts a crumpled cigarette and torches up, exhaling a cloud of fragrant smoke. In that moment, taking a fresh jolt of poison into his bruised lungs, he seems almost human again: his spine straightens, his cheeks flush from bloodless pale to heart-attack red (an improvement, trust us), his cloudy gaze clears into the speculative laser-stare of Ye Olden Days, when Bill could still put on a good show of walking the earth larger than life. Bill power-draws the cigarette in four long pulls, crushes the leftover bit beneath his scuffed heel before heading inside, where his nephew Trent—a h
Absolute Unit 4.
4.Bill has theguts to show the kid an actual workday. They hustle a diner over on Bedford (“Is that mouse poop I see?”), raking in a princely ninety bucks, before pulling into the gravel lot behind Paradise Alley at a quarter past eleven. Bill shows the faintest modicum of decency by ordering his nephew to stay in the car while he goes inside Paradise Alley “for a minute.” Poor kid, hopefully he’ll prove smart enough to crack a window within the next hour, lest he fry in the late-morning heat like a puppy. Bill really means to have a shot of whiskey or two, the early lunch of champions, but he finds his best friend Frank at the bar, loading up. Frank is a homicide dick (emphasis on the word “dick”) who lives with his mother, snorts mountains of coke swiped from the evidence locker, and recites more Bible verses than a street preacher. He’s such a walking contradiction it’s a wonder that he can stride more than a block without vaporizing into thin air, his warring impulses can
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