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It was all about a year. Just one simple year. They got married because of his Grandmother's wish. He didn't fall for her in that one year but she did. She didn't expect he would still hold on that contract after being married for a whole year but he did. He terminated the contract after a year and told her that it was over without any regret. He had gifted her divorce papers on their first wedding anniversary. He had expected her to throw a tantrum but too bad cause she didn't. Instead she just packed her bags and left just like he had asked her to. Then all of sudden one year later they met again. But she didn't change like those cliche heroines after divorce. She was the same as she was a year ago. Stupid, clumsy and stubborn. He didn't realise what he lost like those cliche ex husbands when he saw her for the first time after a year. But why did it sting watching her talking to some other men so casually? Why did it sting when she didn't look at him with those puppy lovesick eyes anymore? Why did it sting so much when she treated him like other ordinary people? It shouldn't have right? SLOW UPDATE AND UPDATE 3 DAYS PER WEEK. PLEASE MAKE SURE TO READ THIS AND DON'T COMPLAIN LATER:)

Stanley Edwards, people claimed he mirrored a Russian man and had the heart of steel. He was an executioner who mercilessly took the lives of twenty women over a period of eight years. He is released from prison, can he get a whole new life? After he meets the love of his life, how will he protect their love? Is he still the grim executioner?

Noong unang beses na nakita ni Euphie ang lalaki, naisip niya: Love at first sight ba iyon? O isang nakatalagang soul mate? Pag-uwi niya, nakita niya ang isang lumang larawan ng isang matangkad at guwapong lalaki. Naglakbay siya pabalik sa panahon sa larawan, nakilala ang lalaking iyon, at natagpuan ang sagot sa tanong na iyon. Inisip niya ang lahat, ang kanyang kasintahan.

2107. Deux ans plus tôt, le monde est dévasté de façon brutale et soudaine. Aujourd’hui, il n’en reste que des ruines, de la poussière et des cadavres. Les rares rescapés tentent de subsister, tiraillés entre les milices locales et les grandes organisations qui se disputent les territoires épargnés tels des vautours. C’est à travers une France hostile et ravagée par la folie des Hommes que Xalyah, une jeune femme solitaire et endurcie, brave tous les dangers pour accomplir son seul et unique objectif : retrouver les siens. Le reste n’a pas d’importance, les autres non plus. Sauf qu’elle réalisera bientôt que pour parvenir à ses fins et survivre, il lui faudra accepter de baisser la garde et faire les bons choix...

"At seventeen, Lizzie Thornton left her hometown of Fair Haven to pursue her musical dreams—and to run from Trent Younger, the boy who broke her heart. Now a successful singer, Lizzie returns to Fair Haven nine years later. When she runs into Trent at her brother’s wedding, she discovers he’s no longer the shy boy she left behind. He’s a sexy, confident man who knows what he wants—and what he wants is her. When a night of passion results in unexpected consequences, Lizzie must grapple with prior heartbreak and with accepting that she still loves the one man she could never forget. Trent Younger grew up on the wrong side of the tracks, and he fought tooth and nail to establish himself as one of the most successful restaurateurs in Fair Haven. Yet he’s never forgotten Lizzie Thornton, the girl he adored, the same girl who left him to pick up the pieces of his life after tragedy struck them both. As Trent uncovers the layers of Lizzie’s guarded heart, he realizes that he doesn’t just want her in his bed. He wants her in his life—forever. Yet even as love rekindles, their pasts threaten to drive them apart. Unless they confront their demons, Lizzie and Trent may jeopardize a love that has already withstood the test of time."

"“Funny, charming, and utterly captivating! I devoured this sparkling read.” - New York Times bestselling author Annika Martin The man I hate might be the first one to pluck my petals… Confession: I, Dandelion “Dani” Wright, am twenty-six years old and have yet to be deflowered. No man has hosed my hyacinth. Fondled my freesia. Diddled my daffodil. You get the point. My excuse? I was too busy running my family’s flower shop and winning floral design competitions. Suddenly that whole pesky virginity thing becomes a big deal when Jacob West walks back into my life. The boy I once loved. The same boy who humiliated me when he stood me up for prom. This Jacob is no boy, though: he’s all man now—confident, charming, and so sexy my metaphorical blossoms are getting scorched. I can almost forget I’m supposed to hate him forever. Almost. To make things worse, he’s my main competition now, since he took over his parents’ flower shop. If I give into this sizzling attraction between us, it could jeopardize everything I’ve worked so hard to achieve. But if I’m not careful, he might not just be the first man to pluck my petals—he might also be the only man to capture my heart."

Été 2010, dans un bois proche de Besançon, une joggeuse disparaît. Elle ne sera jamais retrouvée et, étrangement, l’affaire sera vite classée.2018, à proximité de Toulouse, une danseuse de cirque est retrouvée morte.Pour le jeune capitaine Damien Sergent et ses coéquipiers, cette affaire a toutes les apparences d’un suicide... jusqu’à ce que certains éléments les conduisent à Besançon.Sur place, certaines personnes ont tout intérêt à ce que le passé ne soit pas déterré...Entre manipulation, influence et souvenirs douloureux, l’équipe de Damien Sergentévolue désormais en terrain hostile.

De soirées arrosées en matins difficiles, de séparations en trahisons, Solveig, ses amis et leurs petits secrets voguent en quête de bonheur et de stabilité.Mais confrontés à la mort d'un des leurs, ils sont poussés dans leurs retranchements. Alors que Solveig cherche à oublier ses blessures, une disparition mystérieuse vient tout bouleverser.Quand tout perd son sens, chacun cherche ses réponses.Et si le plus difficile à trouver était soi-même ?"Un roman qui se libère des stéréotypes misogynes de la littérature."