Tragic Ending

My childhood friend called, saying he was trapped in a fire. He wanted to hear my voice one last time, and I rushed to the scene as fast as I could. But in that small, blazing spot, there was only a cat. Stumbling, I got the cat out, but my arms got burned. A crowd gathered, pointing at me and laughing hysterically. "She actually went for it?" "What a simp, risking her life like that!" Safe and sound, Colin Porter stepped out of the crowd with a grin. He picked up the cat from my arms and handed it to his crush. "See? I told you the cat would be fine. When have I ever lied to you?" Turning back to me, he said, "The cat got spooked and ran into the fire. We didn't know what to do, so we called you. Thank you for your help." The people around us snickered, like they were watching a trained dog. Later, on my wedding day, my husband carried me to the car. Colin, dragging his burned, bloody legs, crawled on the ground. He begged, "I'm hurt, Selena! Come help me!"

To save Hugh, I took the hit—literally. The kidnappers beat me so bad I ended up with a brain hemorrhage. My mind? Stuck at thirteen. Hugh, all guilt and promises, said, "Wenna, I'll protect you forever." And he did. He watched over me. When the house caught fire, he threw himself over me, took the burns, didn't flinch. Then came his oh-so-perfect foster sister. "Mia's not into... slow people. Maybe you should live next door," he said. And my son? The one I nearly died bringing into the world? "Stupid woman! You embarrass me and Dad. You're nothing like Aunt Mia—she's smart and pretty. If it weren't for you, she could've been my mom. You should just die!" To play hero for Mia, my son shoved me into the street. A truck did the rest. When I opened my eyes, I was back on the day Hugh proposed. This time? I wasn't here for his pity. And I sure as hell wasn't marrying him.

All because he believed I pushed Elena down the stairs out of jealousy. Six months ago, a rival family drugged Alexander. Elena saved him and got pregnant. Her family disowned her for it. "Ivy, why can't you just let her be?" Alexander choked me, disappointment and rage in his eyes. "She saved my life! I promised to send her away. Why be so vicious to an unborn child? If anything happens to them, I'll bury you with them." I didn't argue. I just planned an explosion. But when I vanished, the high-and-mighty Don went mad.

I break up with Ansel Wright when his enemies chase him for debt payment, and I start dating a rich man. Ansel says he loves me and begs me not to break up. He weeps and continues that he cannot live without me; I am in another man's arms as I pour whiskey on him and say scornfully, "Ansel, stop pestering me! I never want to hide with you and live without money again!" He leaves with a despondent look on his face. Six years later, he returns to Wall Street as a finance giant that everyone in New York takes notice of. The moment he gets back to the country, he brings his fiancée to show off to me, but he cannot find me, no matter how hard he tries, because I die the day he returns to the country.

The day I give birth, I have to endure the pain of the scalpel cutting through my skin because I'm allergic to anesthesia. Marcus Lambert weeps by my side and says, "I don't care whether we have a girl or boy, sweetheart. We're not having any more children. You're all I want…" But later, he has an affair, even allowing his mistress to have his son. He indulges in her and allows her to torment my daughter, which I went through hell to bring into this world. Meanwhile, I keep Marcus' cancer a secret from everyone. Since he and his mistress are tormenting my child, I'll take his life. It's a fair trade, isn't it?

I had been dead for days and my alpha mate Karl didn't know it, cause he never went back to our den. Until his gamma was astonished to read a front-page news article about the mysterious rogue wolf attacks. "Karl, there's been a rogue wolf in our pack." Karl didn't lift his head. Stuff like this happened all the time in the pack. His gamma put the newspaper in front of Karl. "The deceased... is Luna Julie." Karl was reviewing documents and his pen suddenly fell to the ground.

I was the girl Ian Sutherland, the underworld boss himself, personally picked to be a shield for his beloved. By the third year of our marriage, I'd been kidnapped by his enemies for the eighth time. When Ian came with his men to rescue me, the negotiation hadn't even lasted five minutes before the girl called him. "Ian, I lost a dare and have to kiss one of the guys here. But I want my first kiss to be yours. Can you come get me?" … The moment Ian left without a second thought, a knife plunged into my abdomen, and blood gushed out. His men handled it the same way they had the last seven times—paying off whoever they had to, then sending me to the hospital. In the ambulance, I heard someone wondering if I'd live long enough to see the day that girl could stand on her own. They burst out laughing, while I was the only one crying. My mission to save the underworld boss had failed, and I was about to be erased by the system. Ian, I wouldn't live to see that day.

Elena Jones and I became orphans on the same day. Her parents are killed in a mass murder, and my father—the killer—is executed on the spot. For a month straight, Harborfield's most notorious playboy waits outside the courthouse, intent on keeping Elena. However, she throws his black card right back at him, like a headstrong heroine straight out of a movie. "The Mr. Carter I admire is refined and noble. How could he have a nephew like you? I'd rather starve than accept anything from a thug." He lets out a sharp, amused laugh and crooks a finger at me. "A death row convict's daughter and a thug make a fitting pair. I'll back you. Are you willing?" While clutching the ten-million-dollar IOU my father left behind, I nod without hesitation. Later, he orders me to get into his uncle Daniel Carter's bed. "With all that sin on your shoulders, you're an even better match for him. That way, Elena will finally give up on him for good."

The nights in Vicente were a coexistence of order and gunfire. Tonight was the wedding, ten years overdue, between Anthony Oliver, the don of the Oliver mafia family, and Mabel Samson, the woman who had stood beside him through bloodshed, betrayals, and underworld wars. A top-tier luxury hotel had been cleared by the family's soldati. Below them glittered a sea of city lights; above them bloomed fireworks commissioned for the future Donna alone. The man known for his ruthlessness knelt on one knee with a rare diamond ring, his eyes filled with rare tenderness. "Mabel," he said, "you walked through hell at my side. Let me give you peace for the rest of your life." It seemed that all the sacrifices and patience had finally led somewhere. However, just as Mabel's fingers were about to touch the ring, a piercing scream came from above. "Don't! Anthony! Save me!" That single cry drew all of Anthony's attention away. The girl was not unfamiliar to Mabel. Two years earlier, Anthony's twin brother had been tortured to death by a rival mafia family while covering his retreat. His body was never recovered. And Cheryl Reyes was the fiancée he had protected with his life. Mabel watched as the man she loved abandoned everything without hesitation and ran toward another woman. She stepped forward and tried to stop him. "Don't go. The wedding isn't over." However, when their eyes met, the Don accused her coldly of being heartless and selfish. And in that moment, Mabel felt tired. Perhaps it was time, just once, to choose herself over the Family.

The day Jack Prescott's family went "bankrupt," he dumped me on the spot. "My mom's house is getting auctioned. I don't want you dragged into this." I actually bought it. Went against my family and stuck by him, slinging street food just to scrape by. "Don't stress. I'll help you buy it back." Three years of nonstop work—burn scars up and down my arms—and I finally scraped together a small fortune. The day we were supposed to sign the papers, I caught him on the phone. "Jack, you coming back?" some guy asked. Jack flicked his cigarette, all smug. "What's the rush? I'm still milking this sad little simp. She's totally whipped. It just keeps getting funnier." All that time, all that love? Just a joke to him.