what class is shinso in

Look, I agree that some classes feel like they're moving at the pace of a snail. When I get bored, I try multi-tasking. I'll be there in the class, but also maybe doodling related notes about what they teach. Helps me remember stuff better. Or I scribble down cool dialogue ideas for my comic characters. Another way I stave off boredom is by thinking about the latest anime episode, breaking it down frame by frame. It's like revisiting the whole episode, and before you know it, class is over.

Class is the invisible wall in 'Pride and Prejudice'. Elizabeth and Darcy’s romance is a battlefield of social hierarchy. Darcy’s initial proposal reeks of condescension, as if loving Elizabeth is a favor. Elizabeth’s rejection is a slap to his pride, but it’s also a rebellion against class norms. Their eventual union feels revolutionary, breaking the chains of societal expectations. Austen uses their love to critique how class stifles genuine connection, making their happy ending a quiet triumph.

In 'Emma', social class is like an invisible cage. Emma herself is privileged, but her status blinds her to the struggles of others. Harriet Smith’s lower standing makes her vulnerable to Emma’s misguided matchmaking, while Mr. Elton’s social climbing reveals the hypocrisy of class obsession. Jane Fairfax, though talented, is constrained by her lack of fortune. Austen shows how class dictates choices, relationships, and even self-worth, but also hints at its fragility—like when Emma’s assumptions about Mr. Martin are proven wrong. The novel critiques how class limits people, yet leaves room for subtle shifts, like Emma’s growth in understanding Harriet’s true happiness.

I’ve always been drawn to novels that dig into class struggles, and 'Pride and Prejudice' is a classic. If you’re into that, 'Jane Eyre' by Charlotte Brontë is a must. It’s got that same tension between social status and personal desire, with Jane’s journey from a poor orphan to a strong, independent woman. Another one I love is 'The Great Gatsby' by F. Scott Fitzgerald. Gatsby’s rise from poverty to wealth, only to be rejected by the old-money elite, hits hard. For something more modern, 'A Little Life' by Hanya Yanagihara explores how class and trauma shape lives in heartbreaking ways. And don’t miss 'The Remains of the Day' by Kazuo Ishiguro—it’s a quiet but powerful look at servitude and dignity in post-war England.

Jane's journey in 'Jane Eyre' is a fiery rebellion against class cages. As an orphan turned governess, she’s trapped in that awkward social limbo—too educated for servants, too poor for gentry. Rochester’s proposal initially feels like a trap, not just love: accepting it would make her a mistress, not an equal. The madwoman Bertha? She’s the ultimate class casualty—a Creole heiress locked away as 'unsuitable.' Even St. John’s cold marriage offer reeks of class ambition. Jane’s inheritance isn’t just money; it’s a key to finally being heard. The novel screams that dignity isn’t a privilege—it’s a right. If you dig class critiques with gothic twists, try 'Wuthering Heights' next—Heathcliff’s rage mirrors Jane’s silent battles.

I’ve always been struck by how 'Sense and Sensibility' digs into the rigid class structures of its time. The Dashwood sisters’ lives are dictated by their social standing—Elinor’s practicality and Marianne’s romanticism both clash with the expectations of their rank. Money and marriage are tools for survival, not just love. Colonel Brandon’s wealth saves Marianne, while Edward’s inheritance issues nearly ruin Elinor’s happiness. Austen shows how class isn’t just about wealth; it’s about power, respectability, and the choices you’re allowed to make.