115Next day, Cole was in his studio, fully focused on the sculpture of a man patting the head of his small kid. The place was sun-drenched, filled with abundance of natural light pouring in through the massive windows that surrounded him from three sides. The one side of the wall was painted a crisp white, reflecting the radiant light. The floor was made of polished concrete, and around Cole's feet were patches of flattened clay, crushed under his steps as he frequently rounded the sculptor to mould it. His work station was in the center of the room where he was standing with sculpting tools cluttered around him. To his left were some half-finished projects, and beside it a desk with sketches he made on different colour and size of papers. Half of the wall was shelved and storage units lined the other half. They were laden with materials and supplies, from chisels and gouges to plaster and clay. Whereas a series of fully finished, drying, sculptures stood around him, watching him
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