RAFAELI sat in the boardroom for ten days in the talk of one of my studio’s biggest film franchises. I initially planned to release the film to PeekFlix when Emilio signed. The premise would be based on the bestselling post-apocalyptic, fantasy, and science fiction book The Zion’s Code Trilogy. The books sold over one hundred million copies worldwide, so Adam suggested I read and consider them for a motion picture. I ended up liking it. With our best directors, scriptwriters, and a set of A-list actors, a big budget, the film should be huge.Movies our studios had produced were listed as the highest-grossing films so far. We’d gained millions of followers globally, so I had a good feeling about it. So, each creative team and department presented schemes for new film productions, artist screenings, scripts, and music arrangements, as well as its events and conferences, in order to execute strategic initiatives.After the series of meetings, I was behind my desk, allocating decisions,
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