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Mia's POV"It's an SUV.""An armored SUV.""Reinforced.""There's a difference?"He didn't answer. Just opened the back door and helped the children in one by one, Madison last, lifted into her car seat like she was made of something precious and breakable.I shook my head. "Kyle. You really don't do dramatic well. Just like you don't do jazz."Nothing. Not even a twitch.He slid into the driver's seat and started the engine—barely a whisper, because even the car knew its place around Kyle Branson.Then he tapped the screen.Baby Shark.I blinked.Baby Shark. In an armored vehicle. With bulletproof glass and military-grade engineering and probably a secret compartment for emergency caviar.I had no words for this aesthetic commitment. None.The children, however, had plenty.Tank plus favorite song—it was like they'd brewed their coffee with Red Bull and chased it with a shot of pure chaos. Alexander was already straining against his car seat straps, the only thing between him and ful
Mia's POV"DADDY'S HERE!" Alexander's voice explodes through the house like a small bomb. His feet thunder down the stairs—I've told him a thousand times not to run on the stairs, a thousand times—and Ethan follows at a more measured pace, though I can see he's fighting the urge to run too.Madison stands at the top of the staircase. Watching. Her pink elephant clutched against her chest."Come on, sweetheart." I hold out my hand. "Let's go see Daddy."She takes my hand. Her fingers are cold.We walk down together, slow, her pace. By the time we reach the bottom, Alexander has already flung the door open and launched himself at Kyle like a heat-seeking missile."DADDY! DADDY! DADDY! We're going to the AMUSEMENT PARK! There are RIDES! And COTTON CANDY! And—"I round the corner.And stop.Kyle is standing in my doorway with Alexander wrapped around his legs like a barnacle. But that's not what makes me stop.He's wearing—I blink.He's wearing a dark blue athletic jacket. A light gray t
Mia's POVWhat kind of person kisses someone's ear?Seriously. What kind of person does that?A normal person would kiss your cheek. Or your forehead. Or—if they're feeling bold—your mouth. Those are the options.Who does that?I touch my ear again.Damn him.The water starts to run cold. I turn it off. Step out. Wrap myself in a towel.The mirror is fogged now. I wipe a circle clear with my palm and look at my face again. Better. Cleaner. Still tired, but at least I look like a person now instead of a cautionary tale about mixing champagne and tequila.I should just get dressed. Something simple. Jeans and a sweater. Mom clothes. Amusement park clothes.But my hand is reaching for the makeup bag.Just a little, I tell myself. Just enough to look awake. Just mascara. Just concealer for the dark circles. Just—I'm doing a full face.The realization hits me halfway through blending foundation. I've got primer on. Primer. For an amusement park. Like I'm going to a photoshoot instead of s
Mia's POVThe champagne is making me careless, making me say things that should stay locked in the dark places where I keep my ugliest truths.Kyle doesn't respond right away. The jazz fills the silence—that saxophone again, climbing up into something that sounds like a question."I always look at you," he says finally. Quiet. "Whether you're harsh or kind or anything in between.""I know.""Does that bother you?""Yes.""Why?"Because your eyes do something to me. Because when you look at me I feel like I'm being seen in a way I'm not ready to be seen.I don't say any of that."Because you're very good at it," I say instead. "Looking. You're very good at making people feel like they're the only thing in the room.""Is that a bad thing?""It's a dangerous thing.""Dangerous how?""Kyle." My voice comes out sharper than I intended. "Stop."He glances at me. Brief. Just a flicker of those grey eyes before they return to the road."You're looking at my hair," he says."What?""You keep l
Mia's POVThe car is warm.Too warm, maybe. Or maybe that's just me—the champagne still doing its slow work through my bloodstream, turning everything soft at the edges. Kyle's coat is still wrapped around my shoulders, the collar brushing against my jaw every time I breathe. I should give it back. He must be cold. Just that grey t-shirt between his skin and the October night.I don't move to take it off.The city slides past the windows. Buildings and streetlights and the occasional late-night pedestrian, all of it blurring together into streaks of light and shadow. We've been driving for maybe five minutes. Maybe ten. Time has gone strange again, the way it does when you're tired and drunk and sitting too close to someone who used to be your husband.Kyle's hand moves on the dashboard.I watch it happen in slow motion—his fingers reaching for the stereo, the soft click of a button, and then—Music.Not the classical he was playing before. Not Debussy or Satie or any of those melanch
Mia's POVHe's looking at me with that expression. That one that breaks something inside me every time I see it. The one that makes me want to hit him and hold him and run away all at the same time."I'm just saying that next time," he finishes. "If there is a next time. In the dream or in real life. Call me. Please. Actually call me. And I promise—I swear to you—I will hear you. And I will turn around."The silence stretches again. But it's different now. Softer. Less like a wall and more like a bridge.I wrap my arms around myself. His coat shifting with the movement, the collar brushing against my jaw. I should give it back to him. He must be cold. Just his thin grey t-shirt against the October night.But I don't move to take it off. And he doesn't ask for it."It's late," I say finally. The words inadequate. Meaningless. But something to fill the space."Yes."Kyle's mouth curves. Just barely. That almost-smile that used to drive me crazy when we were married. That still does."To





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