A Different Kind Of Dance (2)

The troublesome scene that we were reluctant to act on was rehearsed smoothly, at least by my and Clayton’s standards. But suddenly, Ethan, Clay’s close friend and our play’s music director, wanted to say something to us.

“I like it, but… could I go up and discuss something before we try again or get into another scene?”, Ethan proposed, looking back and forth to Clay and Trey.

Clayton and I exchanged looks. What are the things Ethan wanted to say? What if he said we are too much or not expecting the scene to be executed like that?

“Up to Mud, then, Fork. No problem with me.” Trey said.

Ethan walked up to talk to us. He brushes his hands together before saying a word. “Guys, let’s just be frank. I know you both don’t want to appear too intimate in public as this is a personal matter and I respect that, but… I think this will be a good addition to the play’s unique points. Most of the other Dracula plays only focus on the Dracula-Mina relationships, but rarely on Dracula-Lucy. She’s n