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Performative[edit]

Librettist[edit]

 

Composer Richard Wagner, who also wrote the libretti for his works

Main article: Libretto

Libretti (the plural of libretto) are the texts for musical works such as operas. The Venetian poet and librettist Lorenzo Da Ponte, for example, wrote the libretto for some of Mozart's greatest operas. Luigi Illica and Giuseppe Giacosa were Italian librettists who wrote for Giacomo Puccini. Most opera composers collaborate with a librettist but unusually, Richard Wagner wrote both the music and the libretti for his works himself.

Chi son? Sono poeta. Che cosa faccio? Scrivo. E come vivo? Vivo. ("Who am I? I'm a poet. What do I do? I write. And how do I live? I live.")

Rodolpho, in Puccini's La bohème^[10]

Lyricist[edit]

Main article: Lyricist

Usually writing in verses and choruses, a lyricist specializes in writing lyrics, the words that accompany or underscore a song or opera. Lyricists also write the words for songs. In the case of Tom Lehrer, these were satirical. Lyricist Noël Coward, who wrote musicals and songs such as "Mad Dogs and Englishmen" and the recited song "I Went to a Marvellous Party", also wrote plays and films and performed on stage and screen as well. Writers of lyrics, such as these two, adapt other writers' work as well as create entirely original parts.

Making lyrics feel natural, sit on music in such a way that you don't feel the effort of the author, so that they shine and bubble and rise and fall, is very, very hard to do.

Stephen Sondheim, lyricist^[11]

Playwright[edit]

 

Title page of Shakespeare's The Tempest from the 1623 First Folio

Main article: Playwright

A playwright writes plays which may or may not be performed on a stage by actors. A play's narrative is driven by dialogue. Like novelists, playwrights usually explore a theme by showing how people respond to a set of circumstances. As writers, playwrights must make the language and the dialogue succeed in terms of the characters who speak the lines as well as in the play as a whole. Since most plays are performed, rather than read privately, the playwright has to produce a text that works in spoken form and can also hold an audience's attention over the period of the performance. Plays tell "a story the audience should care about", so writers have to cut anything that worked against that.^[12] Plays may be written in prose or verse. Shakespeare wrote plays in iambic pentameter as does Mike Bartlett in his play King Charles III (2014).^[12]

Playwrights also adapt or re-write other works, such as plays written earlier or literary works originally in another genre. Famous playwrights such as Henrik Ibsen or Anton Chekhov have had their works adapted several times. The plays of early Greek playwrights Sophocles, Euripides, and Aeschylus are still performed. Adaptations of a playwright's work may be honest to the original or creatively interpreted. If the writers' purpose in re-writing the play is to make a film, they will have to prepare a screenplay. Shakespeare's plays, for example, while still regularly performed in the original form, are often adapted and abridged, especially for the cinema. An example of a creative modern adaptation of a play that nonetheless used the original writer's words, is Baz Luhrmann's version of Romeo and Juliet. The amendment of the name to Romeo + Juliet indicates to the audience that the version will be different from the original. Tom Stoppard's play Rosencrantz and Guildenstern Are Dead is a play inspired by Shakespeare's Hamlet that takes two of Shakespeare's most minor characters and creates a new play in which they are the protagonists.

Player: It's what the actors do best. They have to exploit whatever talent is given to them, and their talent is dying. They can die heroically, comically, ironically, slowly, suddenly, disgustingly, charmingly or from a great height.

Tom Stoppard, Rosencrantz and Guildenstern Are Dead (Act Two)^[13]

Screenwriter[edit]

Main article: Screenwriter

Screenwriters write a screenplay – or script – that provides the words for media productions such as films, television series and video games. Screenwriters may start their careers by writing the screenplay speculatively; that is, they write a script with no advance payment, solicitation or contract. On the other hand, they may be employed or commissioned to adapt the work of a playwright or novelist or other writer. Self-employed writers who are paid by contract to write are known as freelancers and screenwriters often work under this type of arrangement.

Screenwriters, playwrights and other writers are inspired by the classic themes and often use similar and familiar plot devices to explore them. For example, in Shakespeare's Hamlet is a "play within a play", which the hero uses to demonstrate the king's guilt. Hamlet hives the co-operation of the actors to set up the play as a thing "wherein I'll catch the conscience of the king".^[14] teleplay writer Joe Menosky deploys the same "play within a play" device in an episode of the science fiction television series Star Trek: Voyager. The bronze-age playwright/hero enlists the support of a Star Trek crew member to create a play that will convince the ruler (or "patron" as he is called), of the futility of war.^[15]

Speechwriter[edit]

Main article: Speechwriter

A speechwriter prepares the text for a speech to be given before a group or crowd on a specific occasion and for a specific purpose. They are often intended to be persuasive or inspiring, such as the speeches given by skilled orators like Cicero; charismatic or influential political leaders like Nelson Mandela; or for use in a court of law or parliament. The writer of the speech may be the person intended to deliver it, or it might be prepared by a person hired for the task on behalf of someone else. Such is the case when speechwriters are employed by many senior-level elected officials and executives in both government and private sectors.

Interpretive and academic[edit]

Biographer[edit]

Main article: List of biographers

Biographers write an account of another person's life. Richard Ellmann (1918–1987), for example, was an eminent and award-winning biographer whose work focused on the Irish writers James Joyce, William Butler Yeats, and Oscar Wilde. For the Wilde biography, he won the 1989 Pulitzer Prize for Biography.

Critic[edit]

Main article: Critic

Critics consider and assess the extent to which a work succeeds in its purpose. The work under consideration may be literary, theatrical, musical, artistic, or architectural. In assessing the success of a work, the critic takes account of why it was done – for example, why a text was written, for whom, in what style, and under what circumstances. After making such an assessment, critics write and publish their evaluation, adding the value of their scholarship and thinking to substantiate any opinion. The theory of criticism is an area of study in itself: a good critic understands and is able to incorporate the theory behind the work they are evaluating into their assessment.^[16] Some critics are already writers in another genre. For example, they might be novelists or essayists. Influential and respected writer/critics include the art critic Charles Baudelaire (1821–1867) and the literary critic James Wood (born 1965), both of whom have books published containing collections of their criticism. Some critics are poor writers and produce only superficial or unsubstantiated work. Hence, while anyone can be an uninformed critic, the notable characteristics of a good critic are understanding, insight, and an ability to write well.