Delphine decides she hates Tiberius, he’s controlling and entirely too handsy. He dictates what she dresses in, what she smells like- which is stuff she normally uses and smells like, but she doesn’t understand how he knows that- and where she goes. Delphine left home because this is exactly what her parents would do and more, taking all her choices and all her freedom from her. Her eyes tear up as they near the opera house and a calloused hand squeezes her knee.
“Don’t be too down, Delphie, I promise this is for you,” Tiberius drives with ease, like someone of his status would. Delphine shakes her head and pulls closer to the car door, “You don’t get it. You’re just some alpha who gets what he wants!” Tiberius doesn’t say anything as he parks and they get out of the car. Delphine is tempted to turn and make a run for it, but she has a feeling he would catch her before she even makes it out of the parking lot. He slides an arm around her waist, pulls her close, and kisses the top of her head in what she guesses is his form of affection. She wants to gag, but she keeps it together because despite what she knows will inevitably happen she does want to see the Austerus Luscinia restored. Delphine wants to sing all the old arias her mother would play on the record player in their home. She wants to write her own and sing them for the world. She dreams of a day where the opera house, HER opera house is as popular as they once were. Not that Delphine ever wants to submit to Tiberius or any other Alpha, but her love of opera keeps her here, for now. Unintentionally, Delphine grips on to the side of his shirt as they enter and she can see just how in disrepair things really are in the daylight. All the decorations from the night before are gone, bandaids that once ripped off show the gaping wounds below. In her own eagerness she has missed all the places in the opera that have faded, that have broken, and that have so much dust on them she can practically tell when they were first placed. “As I said before, I’d like your input on how to restore, you know this place more than I do. I have some blueprints to review first and we can decide where to get started from there,” Tiberius directs her to the back office that Marie once used. Delphine frowns as she stares at the blueprints, they have notes written on the sides about what needs done to the structure before they can do anything else. Multiple places have rotting wood, crumbling stone, and missing support that need addressed- including the stage where she stood last night. The horror she feels at the thought she could’ve fallen through the floor at any time or that any of the actors could have is daunting. If that happened, who knows if they would’ve been able to secure any patronage or how badly the press would have condemned them. Delphine stops, briefly, remembering that Tiberius already bought the entire opera and would be its permanent patron even before the performance. She swallows the lump in her throat, “You don’t think the whole building needs to be torn down and rebuilt do you?” “No there are ways to restore without completely tearing everything down, but once we pick a place to start it needs to be fully finished before we can move on,” he taps the roof of the building where an observatory sits. Its original use was to open on full moons so that the light may shine on the stage, it hasn’t been used even before Delphine came to Austerus Luscinia. “I suggest we start at the top and work our way down. No need to invite a building collapse if we can help it.” Delphine nods slowly as she looks over more of the schematics, “I’d like to keep its original function in place when fixed. I’ve always wanted to see what the stage would look like with the moon shining on it.” “Then it shall be done that way,” Tiberius steals a kiss from her lips before she can protest and he rolls the blueprints up to put away. “While everything is being fixed, we need to figure out the exact colors and decorations to be used. The current ones are out of date.” “I mean, the name of opera literally means the austere nightingale. We should keep either silver or gold coloring with maybe a dark, glittering blue as accent?” “A wonderful idea! I knew I was right to have you here for planning all this. I’d also like to have more natural elements introduced- things like vines, leaves, flowers, and birds to cement the idea of an otherworldly sort of attraction.” “Wouldn’t it be better to use stars and planets for that? I don’t think nature is all that otherworldly.” Tiberius chuckles and taps her nose, “You’d be surprised how little natural world is left and even more how little people care for it.” Delphine narrows her eyes, but she doesn’t argue as the image comes to her mind on what all that would look like combined. A daunting sort of ethereal atmosphere that commands respect and gives off an air of natural refinement. She doesn’t want to admit it, but the thought appeals to her. They go over more logistics before they leave and walk over to the boarding house. Apparently, Tiberius wants to build an entirely new one and after it’s finished to get rid of the current one. Delphine argues with him that its history and it should be restored just as the opera itself, but he doesn’t budge on the matter. It’s going to be the new pack house rather than just a regular boarding house. Delphine, until that point, hadn’t realized that Tiberius plans to make the whole town of Riesling into the base for his pack. “Why do you want this town to be the base,” Delphine can’t help her own curiosity even if she dreads the answer. “Because you’re here, of course, and because there are no other packs in the area. Not any real ones anyway,” Tiberius waves a hand almost in dismissal. “Plus, I’ve already talked to all the local packs and they’ve agreed to fall under my leadership.” “Oh,” Delphine once more feels the dread settling into the pit of her stomach. He’s far more than just some rich dangerous alpha, he’s also charming enough to get other packs to fall underneath him. She doesn’t like that. She doesn’t like any of this. She needs to run.Delphine feels as if she might start hyperventilating soon as Julian steps out of the house and cannot meet her eyes. She doesn’t think he sold her out, not intentionally anyway, but that doesn’t make her feel any better. Does he hate her now? Everything is changing because of her and no doubt he’ll get in trouble alongside Marcus for helping her. Then she thinks of Marie, who willingly betrayed her trust, and she feels her heart pick up speed in anger. What did she do to deserve this? Why does everyone want to control her? She zones out as Tiberius talks with Julian who, as far as Delphine can tell, is acting as head of the boarding house in Marie’s absence. She doesn’t hear their words, it feels as if her ears are stuffed with cotton and all she can focus on is the pounding of her heart. Delphine feels itchy as if she has to move, scream, or just do anything to expel all the nervous energy building in her. She has never felt this nervous before not even on her first performance n
Surprisingly, Tiberius leaves Delphine to her own devices as he goes to his home office. She supposes there’s trust because of all the guards rather than any true trust in her. In the end, why he leaves her alone doesn’t matter as much as the fact that she is alone. Delphine feels devious, almost, that she access to the large house with little supervision. So she explores every nook and cranny so that when it’s time to run again, she’ll have some sort of advantage. The house itself is large enough to boast four bedrooms, not including the office, three and a half baths with an expansive living room. The living room leads into an equally massive kitchen with eight burners, two ovens, a walk in pantry, and a fridge to match. There’s also the three car garage they came through and the back yard with its built in fire pit and brick oven. If Delphine hadn’t grown up in an actual mansion, she would’ve said this house is one just based on the general sizes of everything. Delphine
Delphine is sat at her vanity behind the magnificent stage she is set to step out on in any moment. Her stylist is rushing about making last minute fixes to her already impeccable appearance because, in his words, ‘You can never look too immaculate.’ She steadies her hands on the changed lyrics and notes she is to hit tonight, but in the grand scheme of things, it’s the last of her worries. No, tonight is important because it’s her last night to get a new patron. For all the glitter and gold that is projected in the opera house, it’s known among those still working at it, that the decline has been steady. Delphine is the last singer to remain because truly she doesn’t wish to see the Austerus Luscinia closed. It’s the only place she has found solace and the only place to where she feels her voice can be heard. After all, everyone is there to listen to the emotion of a performance and not so much the lyrics of a dead language. “Now, now,” Julian, her stylist, interrupts her inner
Delphine is placed in a less ostentatious dress than her performance one, but it is no less fancy. Her hair is pulled back into a classic French twist before she’s sent on her way to the doors. Time to meet the crowd. Delphine must meet them as part of the effort to restore the opera. They all want to meet the esteemed singer, after all. The pretty bird who trills to the masses. Well, the wealthy masses now as it hasn’t been feasible to open the doors for those who cannot pay. She shakes the thought from her mind because hopefully all this work for their last performance will have been worth it. This won’t be their last performance and she will see to it that it will never be. Delphine walks out with her head held high as the manager introduces her. The most wealthy attendees- the potential patrons- all eye her up and down. Delphine hides the nervous swallow as she extends her hand and old, sleazy male after old, sleazy male kisses the back of it. More like slobbers on it, but s
Delphine is distraught as the night ends and she returns to the boarding house by the opera. It’s where most of the cast and crew stay, and some, like her, live here full time. She gave up everything else in her life to pursue this career and what does she have to show for it? A small room in a house that’s falling apart and the attention of a mysterious dangerous Alpha who bought her life. Julian doesn’t understand why she’s so upset as she cries later in his arms, “Del, please, tell me what’s so disastrous as having a wealthy and attractive Alpha as our new boss? This is what you wanted, isn’t it? For someone to save Austerus Luscinia.” She wants to choke on her words, “I ran from a forced marriage to be my own person! Not to be someone else’s caged bird.” “Del… you never mentioned anything like that,” Julian has a deep frown on his face. “I thought your family just didn’t approve of your choice in career.” “They don’t approve of my career choice, but they also wanted to
Delphine is kept close to Tiberius after he gathers her from the attempted escape. It wounds him, ever so slightly, at the thought of his songbird fleeing from him. He’s been searching for her for years and he isn’t about to let her go now. Tiberius knows her family, the Polluxs, who are powerful old money that place a lot of stock on heritage. On stock. Tiberius didn’t have a chance at competing for their only daughter’s hand when he first presented. They had picked some geezer with a lecherous gaze, but apparently good genes for breeding. Tiberius wanted to run with her right then and there, but she did it herself. Fled just like she had tried to, tonight, but this time Tiberius had been prepared. Julian, her closest friend, has zero volume control and isn’t very aware of his surroundings. Marie the overworked manager all too eager to help in exchange for the money to retire and live comfortable for the rest of her days. And Marcus? The secondary Alpha put up no fight the moment
Tiberius takes Delphine to the home he purchased in Reisling, the town she ran away to, and refuses to let her leave his side. If she runs again, he won’t be able to control what he does after. He’s found her, he’s tasted her, and he’s of the mind to do anything to keep her. Tiberius leans against the door to his- their- bedroom as she trembles in front of him. She’s cold, he can tell from the goosebumps on her arms and legs along with how her fingers curl to preserve warmth in them. “Are you cold my darling,” Tiberius’ voice is soft and low, he doesn’t want to spook her more. Delphine shakes her head, “N-no! No don’t come near me.” He approaches her anyway, “Now don’t be like that, you need your health. Soon Austerus Luscinia will be full of people every night. Almost every night, at least, there are still some where I wish to selfishly keep you to myself.” She doesn’t make to move away as he continues approaching and Tiberius knows she must feel the mate bond that pulls
Tiberius is momentarily disjointed when he nexts wake up especially because he remembers a little bird falling asleep in his arms and now said bird is not there. He wants to growl at the prospect of her having slipped out and escaped from him, but Tiberius tempers his rage to think clearly. If Delphine had run then one of his pack members would’ve awoken him the moment they couldn’t find her. Tiberius takes a deep breath to scent the air and calm himself before getting up and going downstairs. He finds Delphine there, sitting at the kitchen island with a mug of tea in her hands. The maid, Pollonia, must already be out and about with the cleaning, cooking, and other things Tiberius doesn’t have the energy for. Grey eyes cut over to him and he beams at the fact Delphine hasn’t tried to run again. He slides an arm around her shoulders pulling her closer to his chest before placing a chaste kiss on the top of her head. “You didn’t try to run and you’ve met Pollonia,” Tiberius sits in
Surprisingly, Tiberius leaves Delphine to her own devices as he goes to his home office. She supposes there’s trust because of all the guards rather than any true trust in her. In the end, why he leaves her alone doesn’t matter as much as the fact that she is alone. Delphine feels devious, almost, that she access to the large house with little supervision. So she explores every nook and cranny so that when it’s time to run again, she’ll have some sort of advantage. The house itself is large enough to boast four bedrooms, not including the office, three and a half baths with an expansive living room. The living room leads into an equally massive kitchen with eight burners, two ovens, a walk in pantry, and a fridge to match. There’s also the three car garage they came through and the back yard with its built in fire pit and brick oven. If Delphine hadn’t grown up in an actual mansion, she would’ve said this house is one just based on the general sizes of everything. Delphine
Delphine feels as if she might start hyperventilating soon as Julian steps out of the house and cannot meet her eyes. She doesn’t think he sold her out, not intentionally anyway, but that doesn’t make her feel any better. Does he hate her now? Everything is changing because of her and no doubt he’ll get in trouble alongside Marcus for helping her. Then she thinks of Marie, who willingly betrayed her trust, and she feels her heart pick up speed in anger. What did she do to deserve this? Why does everyone want to control her? She zones out as Tiberius talks with Julian who, as far as Delphine can tell, is acting as head of the boarding house in Marie’s absence. She doesn’t hear their words, it feels as if her ears are stuffed with cotton and all she can focus on is the pounding of her heart. Delphine feels itchy as if she has to move, scream, or just do anything to expel all the nervous energy building in her. She has never felt this nervous before not even on her first performance n
Delphine decides she hates Tiberius, he’s controlling and entirely too handsy. He dictates what she dresses in, what she smells like- which is stuff she normally uses and smells like, but she doesn’t understand how he knows that- and where she goes. Delphine left home because this is exactly what her parents would do and more, taking all her choices and all her freedom from her. Her eyes tear up as they near the opera house and a calloused hand squeezes her knee. “Don’t be too down, Delphie, I promise this is for you,” Tiberius drives with ease, like someone of his status would. Delphine shakes her head and pulls closer to the car door, “You don’t get it. You’re just some alpha who gets what he wants!” Tiberius doesn’t say anything as he parks and they get out of the car. Delphine is tempted to turn and make a run for it, but she has a feeling he would catch her before she even makes it out of the parking lot. He slides an arm around her waist, pulls her close, and kis
Tiberius is momentarily disjointed when he nexts wake up especially because he remembers a little bird falling asleep in his arms and now said bird is not there. He wants to growl at the prospect of her having slipped out and escaped from him, but Tiberius tempers his rage to think clearly. If Delphine had run then one of his pack members would’ve awoken him the moment they couldn’t find her. Tiberius takes a deep breath to scent the air and calm himself before getting up and going downstairs. He finds Delphine there, sitting at the kitchen island with a mug of tea in her hands. The maid, Pollonia, must already be out and about with the cleaning, cooking, and other things Tiberius doesn’t have the energy for. Grey eyes cut over to him and he beams at the fact Delphine hasn’t tried to run again. He slides an arm around her shoulders pulling her closer to his chest before placing a chaste kiss on the top of her head. “You didn’t try to run and you’ve met Pollonia,” Tiberius sits in
Tiberius takes Delphine to the home he purchased in Reisling, the town she ran away to, and refuses to let her leave his side. If she runs again, he won’t be able to control what he does after. He’s found her, he’s tasted her, and he’s of the mind to do anything to keep her. Tiberius leans against the door to his- their- bedroom as she trembles in front of him. She’s cold, he can tell from the goosebumps on her arms and legs along with how her fingers curl to preserve warmth in them. “Are you cold my darling,” Tiberius’ voice is soft and low, he doesn’t want to spook her more. Delphine shakes her head, “N-no! No don’t come near me.” He approaches her anyway, “Now don’t be like that, you need your health. Soon Austerus Luscinia will be full of people every night. Almost every night, at least, there are still some where I wish to selfishly keep you to myself.” She doesn’t make to move away as he continues approaching and Tiberius knows she must feel the mate bond that pulls
Delphine is kept close to Tiberius after he gathers her from the attempted escape. It wounds him, ever so slightly, at the thought of his songbird fleeing from him. He’s been searching for her for years and he isn’t about to let her go now. Tiberius knows her family, the Polluxs, who are powerful old money that place a lot of stock on heritage. On stock. Tiberius didn’t have a chance at competing for their only daughter’s hand when he first presented. They had picked some geezer with a lecherous gaze, but apparently good genes for breeding. Tiberius wanted to run with her right then and there, but she did it herself. Fled just like she had tried to, tonight, but this time Tiberius had been prepared. Julian, her closest friend, has zero volume control and isn’t very aware of his surroundings. Marie the overworked manager all too eager to help in exchange for the money to retire and live comfortable for the rest of her days. And Marcus? The secondary Alpha put up no fight the moment
Delphine is distraught as the night ends and she returns to the boarding house by the opera. It’s where most of the cast and crew stay, and some, like her, live here full time. She gave up everything else in her life to pursue this career and what does she have to show for it? A small room in a house that’s falling apart and the attention of a mysterious dangerous Alpha who bought her life. Julian doesn’t understand why she’s so upset as she cries later in his arms, “Del, please, tell me what’s so disastrous as having a wealthy and attractive Alpha as our new boss? This is what you wanted, isn’t it? For someone to save Austerus Luscinia.” She wants to choke on her words, “I ran from a forced marriage to be my own person! Not to be someone else’s caged bird.” “Del… you never mentioned anything like that,” Julian has a deep frown on his face. “I thought your family just didn’t approve of your choice in career.” “They don’t approve of my career choice, but they also wanted to
Delphine is placed in a less ostentatious dress than her performance one, but it is no less fancy. Her hair is pulled back into a classic French twist before she’s sent on her way to the doors. Time to meet the crowd. Delphine must meet them as part of the effort to restore the opera. They all want to meet the esteemed singer, after all. The pretty bird who trills to the masses. Well, the wealthy masses now as it hasn’t been feasible to open the doors for those who cannot pay. She shakes the thought from her mind because hopefully all this work for their last performance will have been worth it. This won’t be their last performance and she will see to it that it will never be. Delphine walks out with her head held high as the manager introduces her. The most wealthy attendees- the potential patrons- all eye her up and down. Delphine hides the nervous swallow as she extends her hand and old, sleazy male after old, sleazy male kisses the back of it. More like slobbers on it, but s
Delphine is sat at her vanity behind the magnificent stage she is set to step out on in any moment. Her stylist is rushing about making last minute fixes to her already impeccable appearance because, in his words, ‘You can never look too immaculate.’ She steadies her hands on the changed lyrics and notes she is to hit tonight, but in the grand scheme of things, it’s the last of her worries. No, tonight is important because it’s her last night to get a new patron. For all the glitter and gold that is projected in the opera house, it’s known among those still working at it, that the decline has been steady. Delphine is the last singer to remain because truly she doesn’t wish to see the Austerus Luscinia closed. It’s the only place she has found solace and the only place to where she feels her voice can be heard. After all, everyone is there to listen to the emotion of a performance and not so much the lyrics of a dead language. “Now, now,” Julian, her stylist, interrupts her inner