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78. DON'T WANT YOU ANYMORE

Author: Caelum Cayden
last update Last Updated: 2024-04-06 14:52:17
BASH

"Thousand euros. That's a cat's shit."

"Two thousand euros. That's cow dung."

"Three....."

"Shut the fuck up," I yell at the two brothers who were so engrossed in betting on the new painting Hana bought with the money she stole from me. She is getting better at this. The breach wasn't identified after three minutes not before. I asked my team to back down before they shut further access for her just so I could see what kind of painting she would buy this time.

The grosser the painting was, the angrier Hana was. It's a dick move. I knew it. She is letting me walk all over her. She is not backing down. And the painting was delivered to the private club. Celia might have told her where to find me. But the worst part is, Alex and his brother betting on what that shit was on the canvas. As if I don't have enough shit going on in my life.

"I am going to ask Alessandro to kill you both," I warned them. The chances of me asking Alessandro for a favour are zero. But I could ent
Caelum Cayden

Hi People, I would like to clarifiy few thing for whoever reading this novel. First of all, I love you all and I am grateful for you guys. I will always try to be better than before. Recently, I have realised that I have give same names for two characters. So I am correcting them now. ENZO is the guys Hana went to date with once. Vincezo is Sebastian's cousin by blood. (I recently changed that name. It will take some time to reflect) There are two Xaviers- one is Bash's dad and the other is Alexander's brother. His character isn't important. So you won't find him often. CILLIAN SEBASTIAN MERRICK is our Hero. SEBASTIAN MERRICK is his cousin in the MERRICK FAMILY. Thanks for being here. Stay safe

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  • A TWENTY SOMETHING    80. TOO LATE

    BASH I hate that look; the look of hope, of spring and future. I hate it when she did that. Because I have to crush it and stomp it down. She didn't put up a fight this time. She left suddenly, and slowly. I slumped down into my chair, looking outside the city with a very dark future awaiting me. This should be supposed to be a victory. She left. I should be at ease. I should tell myself how fucking safe it was for her now that she is out of the picture. But my heart wants something else. It raced when she stood outside the elevator, holding her things. I was expecting another fight, another painting, another Don't-do-this-Bash dialogue. She might have expected a grand don't-go gesture from me. I knew that flicker in her eyes when she hoped for something good. But she and I were never good. I gave her a nod, watching that little flame of hope dying, and she hung her head to go back. "Hana is gone," Dhalia informed me as soon as she walked into my office. "She left a n

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  • A TWENTY SOMETHING    83. REACTION

    HANA Alessandro and Vincenzo ignored me for the next thirty minutes as the men discussed who might have attacked us. Bash said that they are not accustomed to women taking part in MEN'S BUSINESS. I wonder in which century do they think they are living in. They don't like my presence, and Bash doesn't give a shit about what they liked or not. Still, I feel odd. It's not just men's business. It's a criminal's business. I should definitely not be a part of it. But wherever Bash is, I will be there. There is one word that circulated throughout the conversation- The Matrix. Is it a mob, an organisation or just a person? I have no idea. It was the footsteps from the other room that halted the men's discussion. Matias walked out, trying to fix his broken glasses. He looked around cautiously before his eyes settled on me. "Hana," He cried, running towards me. I opened my arms to catch him, wincing a little when he held me tight. "Thank god, you are fine," I murmured into his hair.

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  • A TWENTY SOMETHING    101. NOW WITHOUT YOU

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