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HUNDRED AND TWENTY EIGHT

Anders retrieved a glass of sparkling wine from the tray the servers passed around and approached the huge painting at one end of the room. It was the image of death—or at least, that was what Anders interpreted it to be.

Lucas was famous for his abstract paintings, relaying the darkest of his thoughts in the way he best knew how to. However, interpretations and perceptions varied. While some people saw light, others saw the darkness he portrayed, but in different degrees.

The background of the painting was black, with lightning somewhere near the earth. There were almost translucent apparitions cutting away from the painting, with one visible pair of brown eyes looking back at the earth, with sadness imprinted in that gaze.

It was a tad intriguing because both the earth and the top of the painting signified demise to Anders, yet it felt like his eyes preferred the earth. He thought the top of the board offered much more—the possibility of still being present in some way. Call it s
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