CHAPTER 45

For the past week he’d been finishing sculptures for his gallery showing. A series of interconnected Western pieces, different styles, including clay pieces slated to become bronze statues, and welded metal works using rusted sections of discarded farm equipment. So far the only concrete images on canvas were landscapes done with oil paints.

Boring.

He needed inspiration, something new and different. The only way to find the passion that defined his quirky artistic style was to start at the source of all things Western: rodeo. The salt-of-the-earth people—spectators, families of the cowboys and cowgirls, and the iron will of the competitors themselves. The livestock—angry, slobbering bulls, high-strung broncs kicking at the metal chutes, the bellow of steers, the nervous tamping of hooves behind the gates. The low bellow of the steers and calves in the pens. The rich scents of sweat and leather, mud and manure, the choking heat and the constant buzz of insects, hay and linament, toba