SEBASTIAN
In case you haven't noticed, my life is in fucking shambles.
I've had bad days, bad weeks, and even bad months, but these past three days has been the hardest time I've been through in a while. Barricading myself in my house isn't exactly my initial response to my closet's skeletons being let loose to the world, but per Sarah's orders, I've been stuck indoors for three days. Three goddamn days.
The week was going pretty well at first. I had dinner with Leslie on Monday night right before I fucked her brains out later that said evening, and from there I was actually starting to feel "whole" or something like that; as if a piece of me that I never knew was missing had finally been returned to me.
But then I found out that she lied to me...and leaked my journal...and disrespected Gloria and I's bond right in my face.
I guess I should have seen this shit coming. In truth, I am an asshole for having Felicity and Courtney (or Claire, right?) in the same bed. In my defense, though, the sex wasn't even that great; I snorted a bit too much and got carried away. But that doesn't give Leslie the right to leak my journal, for Christ's sake.
And Sarah's idea of trying to fix it was to invite Leslie and I to read some script for some interview I have to do about the journal. Who the fuck do they think I am; is this supposed to "mend my image" before I meet with the Board next week? Bullshit.
Leslie couldn't even look at me the entire time. She has this vacant look in her eyes, like a sad puppy dog. Was that supposed to make me feel bad? Probably so. Jesus, I don't even know what to feel anymore.
When I get home, I head straight to my room, ignoring Viv's concerned and agitated calls to me from my living room. These three days have been routine: drink, sleep, eat so I don't die, and sleep again. Viv hates going to the grocery store just to buy shit that will ruin my liver even more.
"You drink because you're sad? Life is sad, then you die. Get over it." She said to me before she left to the grocery store yesterday evening.
I know Claude feels the same way Viv does, but he's more reserved about it. All he's been doing was remind me that my meeting with the Board (fantastic that my father will be there) is dawning, and I need to be ready to make my case. I could care less; the Board can kiss my ass.
"Sebastian," Claude says to me as I walk up the staircase.
"I need to go over the script—"
"You're not gonna go over that script," he replies. He isn't wrong. "What you're doin' to yourself? Sulking over what happened between you and Leslie? It's doin' you no favors."
"Who gives a shit what I'm doing, Claude? I can't go outside, I can't use my phone, I don't even make my own decisions on what I want and don't want to do; I'm a prisoner in my own goddamn house! So if I want to lay in bed, let me!"
I've never snapped at Claude like that. Ever. We used to be closer in my earlier years after I finished college, and even then when I was a bit more reckless I never released my anger onto him. But it's different now.
I drink the rest of whatever is left in the bottle on my bedside table, paired with some painkillers. My room is dark and quiet. I love and hate it at the same time.
My eyes start closing, and just like yesterday, I start to drift off into an alcohol-induced sleep. I can hear my dad in my ear right now.
"Pathetic! This is what you do when a girl breaks your heart? How will you lead my company if this is how you deal with your shit?"
Screw him. When has his judgment done me any favors? When has anyone's judgment done me any favors? In truth, Leslie and him have more in common than she likes to admit. God, I don't even know what I'm saying right now.
"Get up."
I think I'm going crazy until I see Claude standing by my bed. He has his arms crossed against his chest; I can tell he's pissed off.
I ignore him, hoping he'll go away if I do, but he doesn't. He takes the covers of my bed and pulls them off me. Now I'm fully awake.
"What the hell, Claude—"
"I said get up. Right now."
He sounds as authoritative as my father, and I'm not gonna lie when I say that scares me.
I slowly push myself up. Claude's eyes flicker to the empty capsule of painkillers on the bedside table. His expression is even more angry.
Wordlessly, he grabs hold of my arm and drags me off the bed and into the bathroom. I'm practically deadweight, thanks to the drugs and alcohol coursing through my system. He sets me in front of the toilet, and there he makes me throw everything up. And that's what I do. Besides being a stubborn ass, I do what he says. I'm embarrassed once I realize what I've been doing to myself and who has been witness to it. Who knew throwing up your life could give you epiphanies?
After I can't throw up anymore, there's a cold silence between Claude and I. He leans against my bathroom counter, staring down at me like a disappointed parent.
"You're a mess, Sebastian." He finally says, oddly calm. "No one else has the balls to tell you upfront how fucked up you are, but that doesn't mean you aren't in the shittiest state you can be right now."
I avoid his eyes. "I'm...I'm sorry—"
"I'm not the one you need to be apologizing to."
This situation seems all too familiar—the night I was close to O.D'ing until Leslie came in and found me unable to form a coherent sentence. She was much more comforting and understanding than Claude is right now; Claude is more honest than I can accept. I shake the memory from my mind and the person that it comes along with.
I flush the toilet and wash my face with cold water. Then I lean my weight against the counter next to Claude, looking at my unrecognizable reflection in the mirror.
"I don't know what to do," I tell him. "My mind is telling me one thing but I feel this compulsion to do another."
"That's your pride. Your pride, your anger, your distrust. All of those feelings mashed up into one, dragging you around one way and another."
I hate when he's right. I fucking hate it.
"Look," he says, his tone not as demanding. "I'm not here to tell you right from wrong. But I am gonna try and guide you in the direction you need to go. You need to sit and decide where your priorities lie, and reflect on who you are as a man with commitments you need to live up to. You've got responsibilities to take care of, and I know you know what they are. But how you deal with them? That's on you."
"But what if I don't want these responsibilities? I mean I...I didn't ask for any of this."
"None of us ask for most of the shit that life gives us. But you deal with it anyway. That's what determines whether you're an adult or a child."
"So is me being upset at Leslie acting like a child?"
"What do you think?"
I laugh, "I think that you're giving her too much credit. You know how she is; you dug into her past."
"Only because you asked me to."
My first reaction is to roll my eyes. "That isn't fair."
"I already told you—she gave Ingrid the journal, and Ingrid or Garrett most likely leaked it. Coincidentally, Ingrid is M.I.A. You can't blame that on Leslie, Sebastian."
"But Leslie's the one who gave it to them. If she wouldn't have done that, none of this would have happened."
"But it did happen. So, what are you going to do about it? Because this," he gestures to my entire room likes it's an evil omen. "Isn't working for you. At all."
And then he leaves. Just like that. And after hearing his words, I try to see what I must do, but it just ends at me hitting a brick wall in my head. I may become CEO if the meeting with the Board ends well, and I may be the victim to societies eyes from what happened to me. But no matter what, I can't accept it. This is all her fault; she made me believe that I could unchain myself from this corporate leash, and she made me trust her. Now, I'm contractually bound to be a chief of my father's corporation, and my name and my past is out for everyone to remember until they die, only to be continuously shared from person to person. I should have never trusted her; this is all her fault.
And killing myself slowly over it isn't doing me any favors.
**
The day of the interview, Sarah preps me incessantly on what I'm to say. Again, she's ignoring the tension between Leslie and I as if it doesn't exist. But every time Leslie looks at me, and every time I catch her gaze, its more than a reminder; this is the quietest I've ever seen her."Five minutes," the producer of the network tells us, and immediately I'm ushered to a colonial-styled living room that meets the darkness of the set where the cameras and production crew wait.
I sit down. Makeup keeps powdering my face but I push them away. They scurry away from me once they see that I'm in no mood to have my nose powdered.
Sarah repeatedly tells me what I should say, as if I didn't hear her the first time. Leslie is still quiet, standing next to the camera crew with anxious eyes.
Deny, deny, deny, deny...
When the interview starts and the cameras begin rolling, the interviewer doesn't hesitate to immediately start talking about the journal.
"I know this must be hard for you," she says; she isn't my fucking therapist.
"It is," I answer. "It's hard having lies about me circulate like this."
"So you're saying that what was written in the journal isn't true?"
I nod, and almost laugh at how shocked the interviewer's face is. She stares at me, stares back down at her notepad, then back at me. Sarah's smirk of approval comes into my peripheral vision.
"If you don't mind me reading an excerpt..."
"No, not at all." She's really doing this shit.
She reads: "'Some days I feel like disappearing into a dark abyss, shrouding myself in nothingness until I eventually fade into non-existence. It's not as if my family would notice anyway.' You wrote this when you were eighteen."
"I didn't write that." I did write that. I remember the moment I wrote that—a year after Gloria's death. But of course, the sentence after—the sentence speaking about my father's cold-heartedness—is purposefully left out. Which makes me believe even more than my father was responsible for this; he leaked the parts he wanted to be leaked and left everything else about him out. Part of his plan to make me distance myself from Leslie, I suppose; keeping his trail clean as a whistle.
"So you believe that someone fabricated these entries?"
"Yes, I do. I had a pretty happy childhood." It hurts me even to say that. "I guess someone just wants to see my image...s-someone just...um..."
C'mon, Sebastian. Say it. Jesus, just say it!
But I can't say it. I can't finish the sentence, "someone just wants to see my image tainted." No matter how hard I try, I can't say it. I stare at the fabric of the interviewer's seat, tracing the intricate stitching with my eyes as the room is dead silent.
"Someone wants to see your image..." the interviewer repeats. I look to Sarah, who is mouthing "tainted" like I'm an idiot. And I want to say the words to get it over with, but Claude's words keep coursing through my head.
You need to sit and decide where your priorities lie, and reflect on who you are as a man with commitments you need to live up to.
"Actually, I did write it."
"Wh-what?" the interviewer says, more shocked than before.
"The journal. I did write it. Every word. Though some parts are left out, I wrote everything in there."
Sarah's face is beyond describable.
"You said you didn't write—"
"I know what I said. And I obviously lied. I wrote everything. And everything that happened in that journal is true."
The production crew exchange looks between each other. The camera man asks the producer if she wants to cut, but of course, she says no.
"So everything that was documented in the journal actually happened to you?"
I know if I say yes now, things will never be the same. I've worked my entire life trying to hide the events of my past from the world, but maybe this leak is a sign not to confine myself anymore.
"Yes," I answer confidently, suppressing flashbacks. "It actually happened to me."
"I'm so sorry." I don't understand why she's guilty; she had nothing to do with this. "Do you know who leaked it?"
"I don't know who leaked it, but I know who gave the journal away. The person who had it last."
My eyes land on Leslie, whose skin is paler than the white stage lights. There's a mixture of anger and anxiety on her face, and for a moment, I decide if exposing her would be worth it or not.
But then I make my decision.
"Who gave the journal away, Sebastian?"
"Someone very close to me. Someone who...someone who knows the most about me. More than anyone. Someone I actually loved at one point but then realized that...they aren't who I thought they were."
I don't know why my hands are shaking, but they are. The small fragment of hope I have that our relationship could ever be mended is draining. I look at Leslie one last time before turning back to the interviewer.
"My father, Garrett." I answer. "He gave it away."
**
**"I am so pissed off at you, I can't even begin to explain!" Sarah's yelling at Sebastian in the office the producer provided to us. This was expected; we spent so much time going over the script and not only did Sebastian not follow it, but he deliberately went against everything we advised him to do. "Do you understand what you've done? Putting your father's name out there? Why would you do that?" It doesn't even seem like a necessary question to ask. We all know why Sebastian's doing this. But at the same time, part of his motive seems unknown to me. As expected, Sebastian doesn't answer. Sarah, angry and frustrated, stares at him for an elongated period as if he will start cooperating.
**SEBASTIAN I don't like him. Everything about this fucking guy—the way he talks, the way he walks, the way he looks at you when you speak. I don't like it. Alejandro Quintanilla. He's Salvador Quintanilla's nephew, so I'd be an idiot to try and fuck up this early in the game by giving him a rude welcome. "I just wanted to say congratulations on behalf of the Quintanilla family," Alejandro says to me. "We're looking forward to a prosperous future ahead for us and the Harrisons." Bullshit. His stare is full of malicious intent. His grip on my hand tightens, and I let go without giving him a sour look.
**By Friday, I attended my interview and was offered an office space at Rodham PR. I should be happy. Having my own office space to put my shit in and being somewhere 'official' is something to hoot and holler about. But lately, my spirits haven't been easily lifted. I watched the interview Sebastian did last week this afternoon. And after that broadcast, the media was ballistic about Garrett apparently giving the journal away. Garrett's representatives have been quiet, and that's what scares me. But to think, if I hadn't quit, I most likely would have been putting out a statement on Garrett's behalf. Funny how life works. Paul and Beth came over an hour after the airing of the interview. They claimed that it was just a surprise visit, but I know that they're worried about me be
**I had to stay behind to give some information to the police about the accident or potential hit and run. It was embarrassing to converse with the officer while I was drunk, but apparently they care less than I thought they would."Do you need an officer to take you home?" he asked me when he had acquired all the information he needed.I shook my head, shifting my weight from one heel to the other to distribute the pain in my feet evenly. "No, I called an uber."The officer nodded before entering his patrol car. The uber I called was waiting by the corner, and Beth was already on her way over there with Patty while Paul waited for me to finish."You alright?" he asked me when I met him on the sidewalk.
I stay for the promotional tour Sebastian is giving Han Sin. As if Han Sin's representatives have never visited Harrison Inc. before, but it's good publicity to show that Sebastian is somewhat invested in the company."Just got an email from GQ," Sarah whispers to me, eyes on Sebastian in front of the cameras and lights."Do they want Sebastian in an article?"She shakes her head. "No. Front cover.""Have them email me—""Already done."I can tell Sarah's still upset about the Alejandro thing that happened a couple of minutes ago, but in all honesty, there wasn't much I could have done to have prevented that situation. The Qui
**It takes all my willpower to get out of my car. Parked outside of my mother's house, I'm forced to believe that the moment I set foot on the porch, I'll no longer be safe. But still, I know I should do this. The street my mother lives on is quiet and wealthy. Not as wealthy as Sebastian's neighborhood, of course, but wealthier than where we lived when I was younger—the Ciglianos are successful restaurateurs in Italy, but it took a while for that success to make its way to my mom here in the states. I saw it after my parents divorced but wanted nothing to do with it, especially after I left for college. "I wasn't going to pay for your schooling anyway," my mother told me the moment I declined any financial assistance for my education from her. My heels soun
**My mother feels powerful, and it's dangerous.Sebastian and I have a lot in common, believe it or not. Maybe that's why we're at such an impasse—we're more alike than we'd openly admit. But one thing that we have in common that overpowers all is the undoubtable evil in our parents.As I become older, the reason for my mother's animosity towards me makes me curious beyond compare. When I was younger, I just assumed it was something I did; I assumed that I was just unlikeable in her eyes. But now I see that it's more than that. She's willing to blackmail me to keep me away from her schemes, and to make sure I'm miserable. And the only reason I have is because of a woman, and her involvement in my mother's life; my mother went as far as to tango with Garrett Harrison to ruin me.
** I drive over to Harrison Inc. I didn't call ahead to ask if Sebastian was in, but if he isn't, I'm willing to wait for him in his newluxuriouswaiting room until he decides to stroll in, wearing his stupid designer suit with his stupid ensemble that hangs on to his stupid words and demands. As I'm speed walking over to Harrison Inc., I can't help but read over that damn article repeatedly in my mind. Him and I both know the only reason she's in the picture is because of my backstabbing mom and his slut-of-an-ex-girlfriend, Felicity Felix. Felicity-Fucking-Felix! That blonde conniving bitch! I walk into the main lobby, meanuvering my way through the endless bodies walking around. The intercom above the giant glass ceilings talks about the glory and
**I thought my victory over Claire Finch would last as long as the buzz around her scandal. Apparently, I was wrong.I'm unsure if it's because the heat has lasted longer in the press, at a constant peak, then expected—two weeks. It's all everyone is talking about. It's all everyonehasbeen talking about since Claire came out with the statement.In my office, I watch an interview that Claire did yesterday with Diane Sawyer about her infidelity scandal. I read the comments more than anything; they're less than sympathetic. I force myself to see the immense positivity in this, but with Sebastian not here to share this victory with me, it's almost useless in a selfish sense. A professional sense? It's an instant boost in my career. A publicist's ace in the
I should tell someone. I should do something. I should say something to someone I trust, but admittedly, I'm too scared. The journal, dark and tattered but still intact, rest on my lap as I sit in my car, too scared to put the keys into the ignition in fear of the car blowing up with me inside it. I've called Isaac and asked him to pick me up from the restaurant due to "car trouble;" I didn't mention the journal to him. He would only tell me that I should have listened to him about moving to Venetia. He would also tell me that this is certainly Garrett's doing—everything I already know being told to me over again. I don't open the journal again. I feel like I'm invading Sebastian's memories if I were to read it again; he's let go of the drama that's surrounded it. Now that it's back, all of its baggage comes with it. I should burn it. Bury it. Hide it somewhere. Part of me wants to
** I tap my fingers impatiently against the table top, watching restaurant goers enjoy their mimosas and laugh over their egg toasts. Brunch seemed like a reasonable time for Claire to meet me. Not for dinner or lunch or even breakfast, but brunch. That was the only time she'd agree to. She also set the place for our meeting—The Edenboroughin Beverly Hills. Very upscale eatery; money is dripping from every guest in the room. Claire, who had me make the reservation, texted me and told me she would be a little late the moment I walked into the restaurant. At that point, I knew she was messing with me. But I don't mind indulging in her childish antics. The fact that she agreed to meet with me is progress enough. "Can I get you started with something to drink, miss Ki
**JANUARYFor the last thirty days, I've been dealing with the most unbearable anxiety.Not because of everything that happened in December—I have been seeing a therapist for almost an entire month who has helped me tremendously with correctly channeling my feelings about everything that happened to me; Sebastian promised to talk to someone if I did, so we're both making weekly visits to shrinks.It isn't work, either. Work has been "relatively" normal ever since I returned to my apartment and eventually got back into my routine. The ideal reasons aren't the reasons at all. The real reason involves a man that I can't seem to get enough of—a man that seems to always spiral my life out of con
** Sebastian's house has a heavy, eerie feeling to it when no one is here. Its vast walls and weaving hallways have to always be occupied. If not, it's like an abandoned castle from legend. I wonder how Sebastian managed to dwell here on his own when he wasn't hosting parties. I sit outside most of the day on one of the chairs in the courtyard. With my laptop, I get back to work; it takes my mind off of last night. I want to feel somewhat normal again but in truth, I don't know if everything will ever be truly normal like it once was. I suppose this is the life I live now, and I have to learn how to adjust to it instead of running away from it. Hours pass and so do countless emails. I've responded to every media outlet in my i
** I wait for the walls to cave in on themselves. I wait for the lights to go out and for everyone to disappear. Suddenly, I'll be free falling. And right before I hit the ground, I'll jolt myself awake; this is a dream. I want this to be a dream. I want to wake up right next to Leslie with the sunrays and the sheets and shit. I don't want this to be real. But after waiting for the end of the dream, it never comes. This is real life. What I'm seeing is one-hundred percent real. Claude, Isaac and Penny stand beside me, staring in the same direction that I am but wearing different facial expressions; I'm the only one whose expression isn't distinctive. Salvador continues to try and wake Alejandro up. There's a small groan that emanates from him, but he still remai
**SEBASTIANI like watching her sleep.She'll never know this, though. Never on my fucking life; I always preach about how ridiculous it is to watch someone as they're deep in slumber, but fuck, I can't help it this time—she looks so beautiful. Angelic, almost. Peaceful, too. I've done this before, watch her sleep. We were at my mom's house in Tennessee. I went through a rough patch, and she slept on the couch in my room through the night. When I woke up, she was still there, wrapped in a blanket up to her neck, eyes soft and without worry. Now is a little different. Now, she's underneath my sheets with the fabric clinging to the titillating curves of her body. Her bare legs stick out through my bedding, her breasts barely covered. Her hair is a m
** I don't know how to feel about the sight in front of me. Alejandro being carried away. That's what I see, sitting on the ground with Sebastian's arms still wrapped around me. I watch Isaac and Claude lift his body up and haul him out of the room. His eyes are closed, hair hanging back to reveal more of the gash on his nose—the gash I created. I just stare, my body in a state of shock with my limbs frozen stiff. They struggle to haul Alejandro's mass through the door, but they succeed, the sounds of their laborious breathing being heard as they travel down the hall. When they're gone, I look around the room at the mess—the ceiling plaster scattered on the floor, the broken lamp, overturned furniture. None of it seems real when the images burn into my brain. Sebastian begins to remove his hold on me, slowly as if it's a danger to my wellbeing for him to break away. "I'll be right back," he assures me. His voice is certain and adamant
** The only thought that races through my mind is death. Alejandro is going to kill me. That's what's going to happen. He's going to shoot me, and the moment everyone downstairs hears the gunshot, it will be too late; the gun is already pressed into my back. All he needs to do is pull the trigger. "I don't want to hurt you, Leslie," Alejandro whispers in my ear. I'm too scared to speak; he told me not to make a sound. I breathe in the rough leather of his glove and tense against the gun on my back. Eyes closed, I wait for him to shoot. But he never does. Instead, he removes the gun, still keeping his hand over my mouth. I'm pressed even further into his chest, smelling the sweat and tobacco stuck to his clothing. The sound of knocking on the door makes us both jump in alarm. "Leslie, it's me," Sebastian says on the other side. The moment I hear his voice, I scream even louder into Alejandro's glove. "Shut up," he growled into m